Roman Juniper, a husband and father of three, is forced to go work on the Saturday of his daughter's birthday. He intends to make it back home in time for cake, but a sharp turn of events leads his family to believe their patriarch is in grave danger.

Nate only takes the stairs. One day, he sees the girl of his dreams but the only problem is... she takes the elevator. Nate recruits the help of his best friend, Louise, to help him try to overcome his fears and get this mysterious elevator girl.

Lily, an undercover reporter, poses as the new night manager at a seedy hotel to investigate a string of suspicious suicides. After playing the elevator game, she learns of a dark and sinister presence in the hotel. Can she find a conclusion to this mystery and put a stop to it before more murders occur?

When a project to build a thousand flats in Oslo is put out to tender, architect Julie has an idea: why not convert empty underground car parks into residential buildings? A pitch-black, keenly observed satire about an all-too-near future.

When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.

19世纪的欧洲，一名艺术窃贼躲避着一心想要抓住他的调查员。

An art thief in 19th century Europe eludes an investigator out to get him.

The film follows the life of a successful film star, revealing her increasing alienation in a role both glamorized and patronized by society. After being forced into show business by her family, she spends her time between studios and disastrous love affairs, and feels more and more dissatisfied.

An actor by vocation and a moving mannequin by profession, having said goodbye to his wife, who is leaving for America, he himself decides to leave this country, where, in order to somehow preserve his Self, he has long ago become a “foreigner” for everyone. But the adventure in which the hero gets involved before leaving returns him the ability to speak his native language and gives him a chance for love...

Lines scrawled on white paper with a ballpoint pen. Everything looks like a hastily drawn scribble – a sketch of ideas rather than a finished film, possibly only a quick storyboard. The jerkily connected images show a food stall somewhere in the middle of nowhere. Something extraordinary happens here: Two filmmakers – brother and sister – hire the chef as the leading actor of their project. They are planning a biopic about their father. The fast-food expert is not only the spitting image of the famous man, he is just like him! The casting could not be more apt, the film business newcomer lets them convince him. But the task turns out to be difficult. Though the cook does everything to do justice to this demanding role, he seems less and less suited for the job every day. Completely engrossed in the preparations for the part, he becomes increasingly distant from his own children. The boundaries between the film and the single father’s real life begin to blur. Is it possible that shooting has already begun?